Mölzer Kyncl Hilmar 1968–1978

The exhibition has been conceived as a map of the relationships, places and events that shaped their activities in exile. This approach, founded on the idea of ‘networks’, traces their main areas of activity in West Germany, reconstructs group exhibitions, looks at their professional and personal ties and their contacts with gallerists, theorists and art institutions, also exploring their oeuvre within a broader cultural and historical context. With this in mind, it places the work of Mölzer, Kyncl and Hilmar in an international dialogue with the most influential tendencies in art then concentrated around Düsseldorf, including the ZERO group.